Georg Götmark has a degree in film and cultural studies from Stockholm University and the Universidad Pompeu Fabra in Barcelona. He has also completed a post-graduate course at the Royal Academy of Arts in Stockholm. Georg is currently working as a producer and director at Filmfront Media AB, which he co-founded. He has worked with documentaries and in TV since 2001. He has worked on a number of international documentary projects, such as The Last Lacandones, a film about Mayan Indians, shot in Mexico; Transit Tanger, about Moroccans dreaming of a new life in Europe; and Citizen Oketch, about a family living in the Kibera slum outside of Nairobi. His first feature creative documentary, Bellum – The Daemon of War (2021), was about AI, robotics, and ethics. Georg has traveled extensively producing a number of TV series and reports for Swedish television, and educational films for universities, organizations and companies.

Magnus Gertten is a director and producer born in Limhamn, Sweden, in 1953. He was a television and radio journalist for several years before turning to filmmaking in 1998. He has made 15 documentaries for Swedish and international television, which have been broadcast and screened at festivals in more than 60 countries, and which have won numerous awards. He works as a director, producer, narrative consultant, and adviser for his film production company, Auto Images.

Inka Achté graduated in 2012 with an MA in documentary directing from the UK’s National Film and Television School. That same year she completed two award-winning short documentaries: The Wait and Alppikatu 25 - Home to the Homeless. Her debut feature, Boys Who Like Girls (2018), has been selected to more than 30 international festivals, including Sheffield DocFest, Nordisk Panorama, and DocNyc. In addition to filmmaking, Inka has worked in documentary sales, first at Taskovski Films and later at Autlook Filmsales. She is one of the founders of the Helsinki-based Raina Film Festival Distribution.

Emilija Škarnulytė (born in Vilnius, Lithuania, in 1987) is an artist and filmmaker. Working between documentary and the imaginary, Škarnulytė makes films and immersive installations exploring deep time and invisible structures: from the cosmic and geologic, to the ecological and political. Winner of the 2019 Future Generation Art Prize, Škarnulytė represented Lithuania at the XXII Triennale di Milano. Recent solo exhibitions include: Tate Modern (2021), Kunsthaus Pasquart (2021), and the National Gallery in Vilnius (2021). Her films are in the IFA, Kadist Foundation and Centre Pompidou collections, and have been screened at the Serpentine Gallery, The Museum of Modern Art in New York, and at numerous film festivals. She is a founder and co-director of Polar Film Lab, and a member of the artistic duo, New Mineral Collective.