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Ciné-Guerrillas: Jelenetek a Labudović-tekercsekből

Mila Turajlić a jugoszláviai Belgrádban született, díjnyertes rendező. Filmjeit számos fesztiválon vetítették, de európai és észak-amerikai mozikban egyaránt bemutatták. The Other Side of Everything (2017) című filmje, amely az HBO Europe első szerbiai koprodukciója, 32 díjat nyert, köztük a legjobb dokumentumfilmnek járó IDFA-díjat. Mila első, egész estés dokumentumfilmje, a Cinema Komunisto (2011) több mint 100 fesztiválon szerepelt, és 16 díjat nyert, mint például a FOCAL Award for Creative Use of Archival Footage díjat is. Az archív anyagok alapján végzett munkája során Mila személyes emlékek és politikai narratívák metszéspontjában a történelem reprezentációjának kérdéseit vizsgálja, és a történelem elfeledett részeinek újraélesztésére törekszik. Kutatásokon alapuló művészi gyakorlata a MoMA New York megbízásából készült videóinstallációktól kezdve az élő dokumentumfilmes performanszokig terjed. 2020-ban Mila meghívást kapott az AMPAS (Filmművészeti és Filmtudományi Akadémia) dokumentumfilmes tagozatába. Legutóbbi projektje, a 2022 őszén bemutatott Ciné-Guerrillas és a Non-Aligned: Scenes from the Labudović Reels kétrészes dokumentumfilm, egy archív utazás a harmadik világ filmes születésén át.

Élek, mint bárki más

Faustine Cros 1988-ban született és a belgiumi INSAS-on végzett vágóként. Munkájában hibrid formákkal kísérletezik a dokumentumfilm, az önéletrajzi történetmesélés és a kísérleti film között, saját felvételeit családi videókkal kombinálva. La Détesteuse című diplomafilmjét több nemzetközi fesztiválon bemutatták és díjazták. Az Élek, mint bárki más az első egész estés filmje.

Utolsó hívás

Noah Cohen gyerekkora óta kiolthatatlan vágyat érzett a filmkészítésre, és már 21 évesen csatlakozott a CinéFabrique produkciós részlegéhez. Ott mind a játékfilm- mind a dokumentumfilm-rendezésben kipróbálhatta magát, és ebben az irányban szeretné folytatni karrierjét.

Aranyásók

Boubacar Sangaré is a filmmaker, author, and director from Burkina Faso. He directed four short films and co-directed a feature documentary for television. A Golden Life is his first feature documentary for cinema. He is currently developing several other projects, including a road movie documentary, Djéliya, Memory of Manding (selected for La Fabrique des Cinémas du Monde, in Cannes Film Festival 2022, Miradas Doc, and Hot Docs Forum), and two feature-length fiction films: Le nom qu’on te donne and Les dieux délinquants.

Xaraasi Xanne (Crossing Voices)

Raphaël Grisey lives and works in Berlin. Grisey uses video, editorial, and photographic works to assemble narratives about politics of memory, migration, and architecture. The book Where is Rosa L. (2001–2006), and the film National Motives (2011), study the ghosts of various political regimes in the public spaces of Berlin and Budapest. Through diverse documentary, fictional, or essayist forms, Grisey’s films and installations deal with neocolonial spatial politics, and decolonial storytelling and practices in agriculture and urban space (Trappes, Ville Nouvelle, 2003; Cooperative, 2008; and Sowing Somankidi Coura, a Generative Archive 2015– in collaboration with Bouba Touré). He collaborated with Florence Lazar on the films Prvi Deo and Red Star (2006), which deal with post-war former Yugoslavia’s justice. Other film projects were made in France, amid students’ strikes (The Indians, 2011); in China, amid Míngōng peasant-workers (The Exchange of Perspectives, 2011); in the social housing complex of Pedregulho in Brazil (Minhocão, 2011), in the Brazilian Positivist Church in Rio de Janeiro (Amor e Progresso, 2014), and around maroon quilombola communities in Minas Gerais (Remanescentes; A Mina dos Vagalumes, 2015). Since 2019, various forms of his research and collaboration with Bouba Touré, Sowing Somankidi Coura, a Generative Archive, have been presented in several countries.

Bouba Touré was born in Mali in 1948 and died in France in January 2022. Bouba Touré was a photographic researcher. He studied at Vincennes University and was a projectionist at Cinema 14 Juillet and L’entrepôt, Paris. Photographer since the 1970s, he documented the lives and struggles of migrant workers and peasants in France and Mali. Bouba Touré co-founded the Co-op of Somankidi Coura in 1977. In 2015, he published the book Notre case est à Saint Denis. Since the 1980s, Touré has exhibited works and given talks in associative and foyer’s circles and more recently in art institutions. Touré and Grisey worked together over fifteen years on collaborative projects under the current name of Sowing Somankidi Coura, a Generative Archive. This collaboration led to various workshops, film and theatre production for example with the theatre group Kaddu Yaraax in 2017 and 2019, as well as publications and texts, such as Sowing Somankidi Coura, a Generative Archive (2017, Archives Book).

The Other Profile

After studying Political Science, Armel Hostiou studied cinema at La Fémis film school in Paris in the camera department. His graduation film SoLoS, that he directed, has travelled and won several awards nationally and internationally. He has since dedicated himself to directing, first of short films but also installations and music videos. His first feature film Rives premiered in ACID Cannes and was distributed in France in 2012. His second feature, shot in New York, Une Histoire Américaine, premiered at Lincoln Center in New York at RDV with French Cinema and was distributed in France in 2015. His first documentary La Pyramide Invisible premiered at Cinema du Réel in 2019. His last feature The Other Profile premiered at the main competition of CPH:DOX and will be released in theatres in France by Météore Films in June 2023. He is also working on a script for his next fiction feature film.

Ciné-Guerrillas: Scenes from the Labudović Reels

Mila Turajlić is an award-winning director born in Belgrade, Yugoslavia. Her films have screened at numerous festivals and been released theatrically in Europe and North America. Her film The Other Side of Everything (2017), HBO Europe’s first co-production with Serbia, won 32 awards, including the IDFA Award for Best Documentary Film. Mila’s debut feature doc, Cinema Komunisto (2011) played at over 100 festivals and won 16 awards, including the FOCAL Award for Creative Use of Archival Footage. In her work with archives, Mila delves into questions about the representation of history at the intersection of personal memories and political narratives, seeking to reactivate forgotten histories. Her research-based artistic practice ranges from video installations commissioned by MoMA New York, to live documentary performances. In 2020, Mila was invited to join the AMPAS (Oscars) Documentary Branch. Her most recent project, the documentary diptych Ciné-Guerrillas and Non-Aligned: Scenes from the Labudović Reels, an archival road trip through the cinematic birth of the Third World, premiered in autumn 2022.

A Life Like Any Other

Born in 1988, Faustine Cros graduated from INSAS (Belgium) in editing. In her work, she plays with hybrid forms of documentary, auto-fiction, and experimental film, mixing her own images with family archives. Her graduation film, La Détesteuse was selected and awarded at many international festivals. A Life Like Any Other is her first film produced by Julie Freres at Dérives.

Last Call

From an early age, Noah Cohen was driven by a desire to make films. At the age of 21, he entered the CinéFabrique to work in production. There, he practiced directing both fiction and documentaries. He hopes to continue in this direction.

23. Verzió

2026. NOVEMBER 17-25.