angol

Schrott

Balázs Mészáros was born in 1991 in Dunaújváros, Hungary. He has worked as a video-journalist. He graduated from the University of Theatre and Film Arts, Budapest in 2017 as a documentary film director.

Aislado

Jo Müller was born and raised in Essen, and graduated from Gymnasium Essen-Werden in 2011. His first experiences in visual media were gathered through his internships with a photography studio and television production company. In 2012 he did a voluntary year of social work, living and working in the Dominican Republic, and upon his return to Germany, took up studies in cinematography at ifs international filmschule köln. Müller graduated with a Bachelor of Arts specialized in Visual Arts. His first short films, Sockenwäsche (2014, 5’) and Update Required (2016, 3’), animated films, allowed him to try out the roles of writer and director. His first feature-length film, Aislado (82’), completed in 2016, is a documentary film he spent three months filming in the Dominican Republic. He has worked at bildundtonfabrik (btf) in Cologne since September 2016.

Zoltan M. Geller was born 1991 in Sombor (Serbia), but was raised in the beautiful provinces of Southern Germany. After his high school graduation he voluntarily served in the civilian service for six months at a school for disabled children. After an internship as an assistant cameraman at a Munich-based production company he started an internship in the editing department, where he discovered his dedication to film editing. In 2012 he attended the study program, “Editing Picture And Sound“, at ifs international film school in Cologne, and graduated with a BA in 2016. Since 2016, he has worked as a freelance film editor and member of the German film editors association BFS.

Bag Mohajer - Refugee Bag

Adrian Oeser is a Frankfurt-based journalist and filmmaker. He has studied television journalism at the Filmakademie Baden-Württemberg since 2015. In the past few years he has made documentary movies including, With heads held high. Living and surviving in kibbutz Ma'abarot (www.docview.org), and the cross-media project, "An exception" (www.eine-ausnahme.de). Oeser recognizes the importance of bringing underrepresented perspectives to public discourse, and emphasizing both the political dimension and the ambivalence of human experience. He likes to listen to stories, and sees his films as an outlet for his interviewees’ perspectives.

The Long Distance

Daniel Andreas Sager was born in Berlin in 1985, and grew up in Moscow. He studied social anthropology and philosophy at Leipzig University, and directing at the Filmakademie Baden-Württemberg. Sager attended the film school UCINE, in Buenos Aires, for one year with a grant from the State of Baden-Württemberg. He also participated in the Script Masterclass, Docu-Village, at the Haifa Film Festival in Israel with a scholarship from the Filmakademie BW. His diploma film. The Long Distance, received the NOFEAR! Award in 2015. He is currently a master-class student pursuing his Ph.D. at the Filmuniversität Babelsberg Konrad Wolf, and participates in the Nipkow Program as a Nipkow grant-holder. He also works as a writer and editor for ze.tt (zeit online), and as a freelance writer, director, journalist and cinematographer, living in Berlin.

Mother's Imprint

Kata Olah began work as an editor, host, and director for a variety of television productions in the mid 1990's. For 10 years, she produced television series and short films. It was only in 2010 that she began to focus on directing. In that year, she completed a documentary for HBO entitled Romacops. Since then, she has directed several mid-length documentaries and popular science miniseries. Her first short fiction, En Passant, has won a number of international awards.

LEAVE/STAY: Sweet Home

Loránd Balázs Imre is a co-founder of SpeakEasy Project, and founder of SpeakEasy Project Berlin. He has worked on a number of documentary films since 2012, and is the director and producer of the Erasmus EuroMedia Awarded documentary series, LEAVE/STAY.

Bálint Tusor began his film career in 2003, and has since worked on numerous international productions as assistant editor. He completed his Masters in film and television at the National Film and Television School in 2012, and in the last five years has mainly worked as a documentary film editor. Verzio will screen his first documentary directorial debut, co-directed with Loránd Balazs Imre.

See You in Chechnya

Alexander Kvatashidze was born in 1977 in Tbilisi, Georgia. In 1996 he graduated from Nikoladze Art College with a qualification as a sculptor. In 2001 he earned his BA degree in Art and Humanities at Tbilisi State University. In 2005-2006, Kvatashidze studied at the film department of California State University in San Jose. Since 2006 Alexander has worked as a director, DoP or producer on various projects, most of which were documentaries. He founded Lokokina Studio in 2009.

Pre-Crime

Jackson

After an award¬-winning career as a photojournalist, Maisie Crow turned her attention to filmmaking. In 2014, her short film, The Last Clinic was nominated for a News and Documentary Emmy, and she was listed as one of PDN InMotion’s 20 Emerging Artists to Watch in Film and Video. In 2012, her multimedia project, “Half ¬Lives: Chernobyl Workers Now”, won an Overseas Press Club award. In 2010, her short film A Life Alone was nominated for a News and Documentary Emmy. She has taught as an adjunct professor at Columbia University’s Graduate School of Journalism and the CUNY Graduate School of Journalism. Recently, she worked as a director of photography on MTV's documentary series, True Life.

Cameraperson

Kirsten Johnson has worked as an independent documentary cinematographer and director committed to human rights questions and visual creativity since 1989. She is the principal cinematographer on over 40 feature--length documentaries and has been credited on countless others as “Additional Camera." She directed “The Above” which premiered at the New York Film Festival as a part of The Intercept’s Field of Vision launch, spearheaded by Laura Poitras. Her collaboration with Poitras is longstanding, credited as cinematographer on the Oscar- winning “Citizenfour,” the upcoming series "Asylum" on Julien Assange, has shot footage that will be appear in Poitras' new visual work for her Spring 2016 solo show of at the Whitney Museum, and shared the 2012 Sundance Cinematography Award with Poitras for “The Oath.” She is also a long-time collaborator with Amy Ziering and Kirby Dick, shooting the Oscar- nominated “The Invisible War,” “Outrage,” “This Film is Not Yet Rated” and “Derrida.” In 2004, “Deadline,” which she co--directed with Katy Chevigny, premiered at Sundance, was broadcast on primetime NBC, and won the Thurgood Marshall Award. Her first documentary feature, “Innocent Until Proven Guilty” premiered at the Berlin Film Festival, which later appeared on HBO. Her cinematography is featured in “Fahrenheit 9/11,” the Oscar--nominated short by Sandy McLeod "Asylum,” the Emmy winners “Ladies First” and “We Came to Testify,” Tribeca Winner “Pray the Devil Back to Hell” and Sundance premiere documentaries, including “A Place at the Table” and “American Standoff,” among others. “Cameraperson” is her third feature--length documentary as a director. Her early experiences filmmaking were shaped by an invitation to work with Djibril Diop Mambety and Ousmane Sembene in West Africa, inspiring her to apply to the French National Film School (La Femis), where she studied cinematography. Throughout her career, the films she has shot have won and been nominated for Academy Awards, won major festival audience awards and been seen by tens of millions of people. She teaches a class in “Visual Thinking” at the NYU Graduate Journalism Department, a course in cinematography at SVA, and often leads workshops for young camerapeople and documentarians under the auspices of the Arab Art and Culture Fund in countries such as Egypt, Syria, Lebanon, and Saudi Arabia.

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