USA

Ivana Hucíková is a documentary filmmaker from Bratislava, Slovakia, where she graduated from the Academy of Performing Arts in 2015 and shortly after co-founded a collective of young documentary filmmakers, Mirakl, o.z. Her short documentary Mothers and Daughters was distributed by KineDok and screened in more than 60 venues in Europe. In 2017, she was one of the Fellows of the UnionDocs Collaborative Studio in New York, participated in the IDFAcademy 2017 in Amsterdam and was selected as one of the Fellows of the MADE in New York 2018 Fellowship.

Grace Remington is a producer who has worked in documentary film and television in the United States, Mexico, and Peru. She worked as the archival producer for Abstract: The Art of Design, an eight-episode documentary series directed by Morgan Neville, Richard Press, Chai Vasarhelyi, and Brian Oakes that debuted at Sundance prior to streaming on Netflix in 2017. She also worked as the archival producer on Year Million (National Geographic, 2017) and is currently working as a supervising archival producer on an in-production Netflix series and as a story producer for an upcoming Discovery special.

Theo Anthony is a filmmaker based in Baltimore and Upstate New York. His first feature documentary, Rat Film, premiered internationally at the 2016 Locarno Film Festival and domestically at the 2017 True/ False Film Festival. It was nominated for a 2017 Gotham Award for Best Documentary Feature Film as well as Cinema Eye Honors for Best Debut Feature. Theo is the recipient of the 2018 Sundance Art of Non-Fiction Fellowship and the 2019 Sundance and Simons Foundation Science Sandbox Fellowship. Theo’s second feature length film, All Light, Everywhere premiered at the Sundance Film Festival.

Nicholas Bruckman produced the Sundance Award-winning film Valley Of Saints, which was released on Netflix. He previously directed the feature documentary La Americana, which broadcast on National Geography and PBS. He is the founder of People’s Television, a creative studio that produces independent films and commercial content for global brands.

Jerry Rothwell is a filmmaker whose previous work includes the award-winning feature documentaries: How To Change The World, about the founders of Greenpeace; Sour Grapes (co-directed with Reuben Atlas) a film about a wine counterfeiter; School In The Cloud, about radical educationalist, Sugata Mitra; Town of Runners, about two girls in an Ethiopian village who aspire to be athletes; Donor Unknown, about a sperm donor and his many offspring; Heavy Load, about a group of people with learning disabilities who form a punk band, and Deep Water (co-directed with Louise Osmond), about Donald Crowhurst’s ill-fated voyage in the 1968 round the world yacht race. His work has won numerous accolades including two Grierson Awards, an Audience Award and Special Jury Prize at Sundance Film Festival, an RTS Award, the IDA Pare Lorentz Award and a BAFTA nomination.

Camilla Nielsson was a Fulbright Scholar at Tisch School of the Arts, New York University (NYU), and in the Dept. of Anthropology (NYU), where she studied documentary filmmaking and visual anthropology from 1997-2000. She directed the documentary short trilogy Good Morning Afghanistan (2003), Durga (2004), and The Children of Darfur (2005), about children’s rights, and Mumbai Disconnected (2009), in the Cities on Speed series. She collaborated with Israeli video artist Yael Bartana on the trilogy We Will Be Strong in Our Weakness (Berlinale 2011, Venice Biennale 2011), and Demonstrators (2011), for the exhibition Re:Constructed Landscapes. Nielsson’s first feature documentary Democrats (2014), screened at more than 80 film festivals, and won 20 awards and nominations, including Best Documentary at Tribeca Film Festival 2015, and Best Documentary at Nordic Panorama 2015.

Eszter Hajdú is a film director, scriptwriter and producer based in Portugal and Hungary. She regularly lectures at universities, and holds workshops and masterclasses for film students and human rights activists. Her films cover social and political taboos.