Germany

Kinshasa Makambo

Dieudo Hamadi was born in Kisangani (Democratic Republic of the Congo) in 1984, and studied medicine in 2005-2008. He then attended several documentary workshops. Hamadi is the author of two short documentaries, Ladies in Waiting and Zero Tolerance that caught the attention of festivals in Europe (Berlin, Paris, and Amsterdam) and North America (Toronto). Ladies In Waiting received the Pierre and Yolande Perrault scholarship at Cinema du Réel (Paris) in 2009. In 2013, Atalaku, his first feature-length documentary about the 2011 election campaign in the Democratic Republic of the Congo, won the Joris Ivens award for best first film, Best Foreign Film at the San Diego Black Film Festival (USA), the Jury Prize at FIDADOC (Agadir, Morocco) and three other awards. In 2014, National Diploma received both the International Prize of the SCAM and the Potemkin award at Cinéma du Réel (France), and was selected at TIFF (Toronto) and nearly 60 festivals worldwide. In 2015, Mama Colonel, his latest film, received assistance in post-production from the Sundance Institute and IDFA Bertha Fund.

Little Yellow Boots

John Webster is a writer and director born in 1967, in Helsinki, to English teachers who later moved to Finland. John graduated from the University of Art and Design in Helsinki in 1996 with an MA in documentary filmmaking. Since 1990 he has directed independent documentaries that have won numerous awards nationally and internationally. He has run his own production company, JW Documentaries, since 1993.

Meuthen's Party

Marc Eberhardt holds a BA in German Philology and Philosophy from the University of Potsdam. He studied at the Karlsruhe University of Arts and Design, and is currently studying documentary filmmaking at Filmakademie Baden-Wuerttemberg.

Mother at Arms

Nu Nu Hlaing comes from a village in Bogalay, in Myanmar’s Ayeyarwaddy delta. Following the devastating cyclone, Nargis, that swept through the delta in 2008, she went to Yangon where she attended courses in journalism and later worked for the Myanmar Peace Centre. Since joining the Yangon Film School in 2012 she has worked on numerous documentaries as a sound recordist. Mother at Arms is her directorial debut.

The Poetess

Stefanie Brockhaus is an independent filmmaker from Munich. She graduated from London College of Communications, University of the Arts with a BA in Film and Television in 2002, and the Munich University of Television and Film in 2016. She has worked on numerous awarded documentaries as a producer and director.

Andreas Wolff studied at USC's Graduate School of Cinematic Arts in Los Angeles, and at HFF University for TV and Film in Munich. His debut On the Other Side of Life, co-directed with Stefanie Brockhaus, premiered in 2010 at SXSW film festival. His second feature documentary, The Captain and His Pirate (2013) won the German Camera Award for Best Editing at Berlinale and further awards in Leipzig, Zagreb, Saarbrucken, Munich and Brussels.

Untitled

Michael Glawogger was born in Graz, Austria, and studied at the San Francisco Art Institute and the Vienna Film Academy. He started as an assistant camera operator, and later worked as a cinematographer, screenwriter, and director. He made numerous internationally-acclaimed shorts, documentaries, and feature films. He had recently devoted himself to literary writing. Michael Glawogger died in Monrovia, Liberia, in April of 2014 while shooting Untitled.

Monika Willi is a film editor who has worked with Michael Glawogger, Michael Haneke, Barbara Albert, and Florian Flicker. She was nominated for the Austrian Film Prize for her work on Whores’ Glory (Glawogger, 2011), and the German Film Prize for The White Ribbon (Haneke, 2009). She received the Austrian Film Prize for Best Film Editing for The Dead and the Living (Barbara Albert, 2012), and the Filmplus Award for Best Feature Film Editing for The White Ribbon (as well as for Barbara Eder’s Thank You for Bombing [2016]).

Egykor és most

Fiaskó

Katja Pratschke képzőművészeti projektjei (többek között): Natural Born Digital (1998), Transposed Bodies (2001/03), Rien ne vas plus (2005), Fiasco (2010), Hidden Cities (2012), Potential Space (2014), Rope (2016), Territories & Occupation (előkészületben). 2006 óta szervez photofilm projekteket Thomas Todével és Hámos Gusztávval közösen, akikkek 1998 óta működik együtt. Társszerkesztője a Viva Photofilm – Moving / Non-moving kiadványnak és társalapítója volt a Concrete Narrative Society szöbetségnek (Berlin). www.potentialspace.de

Hámos Gusztáv képzőművész, kurátor, szerző és kiadó. Filmek, videók, fotográfiák és installációk alkotója, aki olyan helyeken állított ki, mint a Documenta, a Velencei Biennale, a Ludwig Múzeum Budapest. Filmjeit és videóit többek között a Tate Modern London, a ZKM Karlsruhe, a Triennale of Photography Hamburg, a 63 Mostra Internazionale d’arte cinematografica di Venezia és az YBCA San Francisco vetítette. Munkái olyan gyűjteményekben találhatók meg, mint a MOMA New York, Centre Pompidou Paris, NBK Berlin, ZKM Karlsruhe, Art Collection NRW, Ludwig Múzeum Budapest, C3 Budapest, Saint Gervai SIV Genève. www.hamos.info

1917 - Az igazi október

Nem szegényeknek való vidék

Bihari László nonprofit szervezetek számára készít online kampányvideókat. Az elmúlt kilenc évben a ZPOK nevű kreatív alkotóműhelyben dolgozott, aminek az egyik alapítója. Ez a ZPOK első dokumentumfilmje.

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