France

Utolsó hívás

Noah Cohen gyerekkora óta kiolthatatlan vágyat érzett a filmkészítésre, és már 21 évesen csatlakozott a CinéFabrique produkciós részlegéhez. Ott mind a játékfilm- mind a dokumentumfilm-rendezésben kipróbálhatta magát, és ebben az irányban szeretné folytatni karrierjét.

Aranyásók

Boubacar Sangaré is a filmmaker, author, and director from Burkina Faso. He directed four short films and co-directed a feature documentary for television. A Golden Life is his first feature documentary for cinema. He is currently developing several other projects, including a road movie documentary, Djéliya, Memory of Manding (selected for La Fabrique des Cinémas du Monde, in Cannes Film Festival 2022, Miradas Doc, and Hot Docs Forum), and two feature-length fiction films: Le nom qu’on te donne and Les dieux délinquants.

Nem tűnünk el

A rendező Ukrajnában, Zaporizzsjában született 1987-ben. A kijevi Karpenko-Kary Egyetemen és a varsói Wajda Schoolban tanult dokumentumfilm-készítést. Első egész estés dokumentumfilmjét, Alisa in Warland címmel, az IDFA-n mutatták be 2015-ben; a Hazai pályán című filmje több mint 100 fesztivál programjában szerepelt és számos díjat nyert. Ő állítja össze a kijevi Molodist filmfesztivál nemzetközi dokumentumfilmes versenyprogramját. Amikor 2022. február 24-én Oroszország megtámadta Ukrajnát, Alisa elhagyta a Nem tűnünk el vágószobáját, és csatlakozott az ukrán hadsereg egy önkéntes alakulatához, amely közvetlenül a fronton harcolt Kijevben és Harkiv környékén. Négy hónapon át a lövészárokban harcolt, csak ezután tért vissza befejezni a Nem tűnünk el munkálatait. A Nem tűnünk el világpremierje a 2023-as Berlinale Generation fesztiválon volt. Mivel közben folytatódik az ukrajnai háború, Alisa a 2022-es IDFA Forumon egy újabb projektet mutatott be, amely a fronton töltött időszakban forgatott felvételein alapul és a Chicken & Egg Pictures és a Netflix támogatásával jött létre.

Petition

Zhao Liang is an independent documentary filmmaker, as well as a multimedia artist in photography and video art. His 2021 film I’m So Sorry focuses on the historical events and the current situation of humanity’s nuclear disaster in the context of global climate crisis. In 2015, Behemoth made history by being selected for the main competition section of the Venice Film Festival. The 2009 documentary film Petition was featured in the New York Times, was selected for the 62nd Cannes Film Festival and the 61st Locarno Film Festival, as well as won the Humanitarian Award (Documentary) at the 34th Hong Kong International Film Festival and the Best Film Award at the 7th Doclisboa Film Festival.

Youth (Spring)

Born in Xi’an, in 1967, Wang Bing studied photography at the Lu Xun Academy of Fine Arts, and cinematography at Beijing Film Academy. He began his career as an independent filmmaker in 1999. His directorial debut came with Tiexi District: West of the Tracks, a nine-hour documentary in three parts: Rust, Remnants, and Rails. In addition to his feature documentaries, he is also active in video installation (Crude Oil), fiction film (Brutality Factory, The Ditch), and photography. Acclaimed by critics and recognized as a major Chinese artist, and film director, he has been honored with retrospectives in major museums, such as the Centre Pompidou in Paris, the Cinémathèque Royale de Belgique, Filmoteca Española, and Museo Reina Sofía. In 2012, his Three Sisters won the best film award of the Orizzonti section of the Venice International Film Festival. In 2013, 'Til Madness Do Us Part opened out of competition at the same festival. In 2016, Bitter Money won the best script award of the Orizzonti section in Venice. In 2018, his encounters with the survivors of the anti-rightist movement and labor camps, presented in a nine-hour long feature, Dead Souls, opened at the Cannes International Film Festival as a Special Screening. In 2023, Youth (Spring) was invited in Competition at the Cannes Film Festival. The same year, Man In Black, his portrait of the Chinese composer, musician and Maestro, Wang Xilin, filmed by Caroline Champetier, screened as a Special Screening of the Cannes Film Festival.

Xaraasi Xanne (Crossing Voices)

Raphaël Grisey lives and works in Berlin. Grisey uses video, editorial, and photographic works to assemble narratives about politics of memory, migration, and architecture. The book Where is Rosa L. (2001–2006), and the film National Motives (2011), study the ghosts of various political regimes in the public spaces of Berlin and Budapest. Through diverse documentary, fictional, or essayist forms, Grisey’s films and installations deal with neocolonial spatial politics, and decolonial storytelling and practices in agriculture and urban space (Trappes, Ville Nouvelle, 2003; Cooperative, 2008; and Sowing Somankidi Coura, a Generative Archive 2015– in collaboration with Bouba Touré). He collaborated with Florence Lazar on the films Prvi Deo and Red Star (2006), which deal with post-war former Yugoslavia’s justice. Other film projects were made in France, amid students’ strikes (The Indians, 2011); in China, amid Míngōng peasant-workers (The Exchange of Perspectives, 2011); in the social housing complex of Pedregulho in Brazil (Minhocão, 2011), in the Brazilian Positivist Church in Rio de Janeiro (Amor e Progresso, 2014), and around maroon quilombola communities in Minas Gerais (Remanescentes; A Mina dos Vagalumes, 2015). Since 2019, various forms of his research and collaboration with Bouba Touré, Sowing Somankidi Coura, a Generative Archive, have been presented in several countries.

Bouba Touré was born in Mali in 1948 and died in France in January 2022. Bouba Touré was a photographic researcher. He studied at Vincennes University and was a projectionist at Cinema 14 Juillet and L’entrepôt, Paris. Photographer since the 1970s, he documented the lives and struggles of migrant workers and peasants in France and Mali. Bouba Touré co-founded the Co-op of Somankidi Coura in 1977. In 2015, he published the book Notre case est à Saint Denis. Since the 1980s, Touré has exhibited works and given talks in associative and foyer’s circles and more recently in art institutions. Touré and Grisey worked together over fifteen years on collaborative projects under the current name of Sowing Somankidi Coura, a Generative Archive. This collaboration led to various workshops, film and theatre production for example with the theatre group Kaddu Yaraax in 2017 and 2019, as well as publications and texts, such as Sowing Somankidi Coura, a Generative Archive (2017, Archives Book).

Love Is Not an Orange

Otilia Babara is a documentary filmmaker from Moldova, currently based in Brussels. She holds a degree in documentary filmmaking from the DocNomads European Master program (Belgium, Hungary, Portugal), and is a 2013 Berlinale Talents fellow. She directed and produced the short films Irene (2015), selected for several international film festivals, and Women on Canvas (2009), awarded at the Astra and Cronograf Film Festivals. She is drawn to those who usually go unnoticed. Her films expose big wounds hidden in small details. She's fascinated by the untold stories of women.

The Other Profile

After studying Political Science, Armel Hostiou studied cinema at La Fémis film school in Paris in the camera department. His graduation film SoLoS, that he directed, has travelled and won several awards nationally and internationally. He has since dedicated himself to directing, first of short films but also installations and music videos. His first feature film Rives premiered in ACID Cannes and was distributed in France in 2012. His second feature, shot in New York, Une Histoire Américaine, premiered at Lincoln Center in New York at RDV with French Cinema and was distributed in France in 2015. His first documentary La Pyramide Invisible premiered at Cinema du Réel in 2019. His last feature The Other Profile premiered at the main competition of CPH:DOX and will be released in theatres in France by Météore Films in June 2023. He is also working on a script for his next fiction feature film.

Silent House

Born in Tehran, Iran, Farnaz Jurabchian works as an independent filmmaker based between Tehran and Toronto. She received her BA in French Literature from Tehran University, and worked as writer and translator for art magazines in Iran. She later immigrated to Canada and studied cinema at Concordia University in Montreal. Most of her films revolve around the notion of homeland and characters that each represent a part of society. Her debut mid-length documentary, Overruled, about unauthorized Afghan tennis players was premiered at Hot Docs 2016 and won 5 international prizes. Her autobiographical documentary Silent House had its world premiere at IDFA 2022, and was nominated for the IDFA Award for Best First Feature. With her brother Mohammadreza Jurabchian, Farnaz started an independent film company, F&M Productions, where they work as co-directors and producers.

Mohammad Reza Jurabchian works as an independent filmmaker and cinematographer based in Tehran. He received his BA in photography from Azad University. He was among the best photographers of the year in the 10th Iranian National Biennial of Photography and had several group exhibitions in and outside Iran. He made several short films and documentaries which have been selected for a number of international film festivals. Jurabchian's films are heavily indebted to photography. He tries to depict his relationship with the world around him and his lived experience. He and his sister, Farnaz Jurabchian, started an independent film company, F&M Productions, where they work as co-directors and producers. They directed Overruled and Silent House together.

Ciné-Guerrillas: Scenes from the Labudović Reels

Mila Turajlić is an award-winning director born in Belgrade, Yugoslavia. Her films have screened at numerous festivals and been released theatrically in Europe and North America. Her film The Other Side of Everything (2017), HBO Europe’s first co-production with Serbia, won 32 awards, including the IDFA Award for Best Documentary Film. Mila’s debut feature doc, Cinema Komunisto (2011) played at over 100 festivals and won 16 awards, including the FOCAL Award for Creative Use of Archival Footage. In her work with archives, Mila delves into questions about the representation of history at the intersection of personal memories and political narratives, seeking to reactivate forgotten histories. Her research-based artistic practice ranges from video installations commissioned by MoMA New York, to live documentary performances. In 2020, Mila was invited to join the AMPAS (Oscars) Documentary Branch. Her most recent project, the documentary diptych Ciné-Guerrillas and Non-Aligned: Scenes from the Labudović Reels, an archival road trip through the cinematic birth of the Third World, premiered in autumn 2022.

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